Arcam AVR600

The AVR600 is a consummate performer - since Arcam has sorted some early usability issues with a firmware update, this is near one-box nirvana

Make no bones about it, Arcam is pinning plenty on the AVR600. This AV receiver leads the company's freshly reinvigorated FMJ range and aims to 'represent a tour-de-force of Arcam's design skill and technical prowess'. And retailing at £3500, there's no doubt it needs to deliver.
Initial impressions are certainly favourable, with no holes in the technical specification. It's a 7.1-channel amplifier capable of belting out 120 watts per channel of continuous power as well as decoding all those lovely HD audio codecs.
There are five HDMI inputs and two HDMI outputs, with complete video upconversion to HDMI. You'll also find a set of 7.1 analogue inputs for DVD-A or SACD.
Elsewhere there are competent AM, FM and DAB receivers, an Ethernet connection, USB input and support for two further zones.
No volume control knob
It's all controlled using a smart, backlit remote control – the attractiveness of the AVR600 itself proved something of a split decision, though the lack of a volume control knob in preference for buttons wasn't popular.
Down to business and the auto-set-up proves a little off kilter in our room but once we sort things out manually it's plain-sailing all the way.
We start with some music and we're blown away listening to 'John Legend - Live at the House of Blues' on Blu-ray.
The PCM 5.1-soundtrack is brought to life; the Arcam successfully conveying the energy and raw sound of live music at the same time as delivering punch, subtlety and rhythm.
It's a similar story with two-channel music – comparable AV amplifiers simply sound lightweight and unrefined.
Fast, powerful and punchy
Dealing so proficiently with music bodes well for movies and sure enough the Arcam gives a fast, powerful and punchy rendition of the thrilling if preposterous car chase scene in Eagle Eye.
The AVR600 partners detail and authority with dynamism and weight, all the while retaining a level of control Peter Crouch could only dream of.
Fargo's more intricate, spacious soundtrack shows the Arcam equally adept when more care and attention is required, shifting surround effects around the room with precision and delivering clear, authoritative dialogue with sufficient sparkle but no hint of edge or brightness.
Have we enthused sufficiently? For this is some amplifier. Arcam may have had plenty of eggs in this basket, but happily for them, and the punter with £3500 to spend on an AV receiver, the AVR600 well and truly delivers.